Chilean bestial goregrind terror-cult Mors.Void.Discipline emerge from the bottomless dungeons of South America's extreme metal underground with their debut full-length monstrosity "Txketh)ëké", a twenty-minute obfuscation of terror-spawning bestial war metal destruction swathed in the flesh-eating violence and maggot-infested putridity of 90's goregrind. Cryptic and malignant beyond thresholds comprehensible to man, "Txketh)ëké" projects forth a cancerous aural perversion in which the war-mongering assaults of Blasphemy collide with early Carcass' mangled and deconstructed sonic butchery. Its astonishing hideousness and violence are not only shaped by its unequivocal descendancy, but further complexed by the peculiar antediluvian and occult aura historically permeating Chile's underground scene, as well as by the band's enigmatic inner workings and imagination harvesting perversions from beyond the reach of sanity. Slithering coils of vomitous, pitchshifted vocals proclaim the unutterable in arcane tongues long forgotten by men, regurgitating a noxious mass from within a hellish cauldron of dissonant, nuclear vice, and invoking absolute adherence and submission to a cult of death and darkness untouched by any light. The album's title is an anagram of words related to Solomon's demonology and multicultural esoteric warfare, and the band's concept and lyrics metastasize within the terrorscape as a deranged worship of evil reclaiming sacrifice through the destruction of human anatomy. Few crafts conglomerate in human mind as entities so committed to cruelty and devoted to destruction as this one, yet Mors.Void.Discipline endure as yet another inscrutable product of an unrivaled scene whose isolation, remoteness and purity remain undying vectors for unparalleled world-building and musical transformation.
