• While faithful worshipers of the almighty riff, DOPELORD are addicted to more than just the devil’s lettuce. Since budding out of Poland in 2010, the band have led children of the haze down the left-hand path. On their fourth album, they blew the gates of hell wide open with magickal stoner-doom. ‘Sign of the Devil’ summons stoner-doom that truly raises horns.
  • Defiled dizzying ninth,
  • 'Apocalyptic Steel’ is a record that refused to stay buried. Tracked in 2014, the album sat forgotten on a hard drive. Years later, the recordings resurfaced. Drums were re-recorded, vocals and mixing completed, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal
  • Refining their architectural approach to extreme music since 2016, ERDVE emerges from Lithuania with an uncompromising identity. ‘Epigrama’ marks a deliberate new chapter rooted in rediscovery and total authorship. 
‘Epigrama’ is a meticulously constructed meditation on entropy, regret and psychological erosion.
  • Switzerland's IMPURE WILHELMINA has forged a singular path between metal and progressive dark rock, marked by density, melody, and emotional restraint. After three decades of evolution and renewal, the quartet now enters a new chapter with 'Le Sanglot', their most radical, yet organic, transformation to date.
  • On ‘The Dark Overlords of the Universe’, Finnish newcomers THE GHOULSTARS mix Mötley Crüe’s pomp and the can’t-do attitude of Twisted while nodding to The Misfits and White Zombie. Their debut album is a monstrously catchy mash-up between metal, punk and B-horror.
  • Ukrainian black metal legend DRUDKH's ‘Thaw’ stands as a direct continuation of the album ‘Shadow Play’, conceived during the same creative period and sharing its emotional and thematic foundation. Rather than expanding outward, the EP turns inward, presenting three compositions that function as a distilled appendix to the album’s world.
  • After reaching crushing new highs on the opening chapter of the 'A Dark Poem’ trilogy, Norwegian bards GREEN CARNATION descend into deeper, darker and more personal depths with part II: 'Sanguis'.
  • CRIPPLED BLACK PHOENIX' new album ‘Sceaduhelm’ represents the project’s most inward-looking and austere statements to date, turning away from grand historical narratives to examine emotional erosion, fatigue, and quiet collapse. Rather than a traditional concept record, it unfolds as a unified psychological space, where repetition, restraint, and unease carry as much weight as melody. Don't miss out the limited deluxe editions with 'Horrific Honorifics Number Two Point Five’ on bonus disc!

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