• Founded in Brussels in 1998, EMPTINESS have spent over two decades refusing the conventions of extreme music, moving through black and death metal, avant-garde experimentation, and claustrophobic minimalism to build a body of work that consistently resists genre enclosure. ‘Nowhere Speaks’ is their seventh full-length and their most immersive statement yet. Forces converge, collide, and dissolve in ways that resist comprehension, reflecting the band's central idea that nothing exists, yet everything does.
  • Since stepping out from their grave deep within the American South, WAILIN STORMS have caught fire with noisy and bluesy explosions of gothic rock. Old folk songs, Baptist hymns, Flannery O’Connor and other influences are brought stomping and screaming into the light on an album that rekindles the band’s roots in raw-to-the-bone blues punk. On ‘The Arsonist’, WAILIN STORMS deliver a fiery baptism of gothic rock.
  • TODOMAL emerged from the arid heartlands of eastern Spain in 2020, forging a deeply personal sound from the solemnity of doom metal, the sweep of cinematic rock and the quiet weight of lived experience. Written in solitude following personal tragedy, ‘Graveyards of Joy’ channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom.
  • While faithful worshipers of the almighty riff, DOPELORD are addicted to more than just the devil’s lettuce. Since budding out of Poland in 2010, the band have led children of the haze down the left-hand path. On their fourth album, they blew the gates of hell wide open with magickal stoner-doom. ‘Sign of the Devil’ summons stoner-doom that truly raises horns.
  • Defiled dizzying ninth,
  • Refining their architectural approach to extreme music since 2016, ERDVE emerges from Lithuania with an uncompromising identity. ‘Epigrama’ marks a deliberate new chapter rooted in rediscovery and total authorship. 
‘Epigrama’ is a meticulously constructed meditation on entropy, regret and psychological erosion.
  • 'Apocalyptic Steel’ is a record that refused to stay buried. Tracked in 2014, the album sat forgotten on a hard drive. Years later, the recordings resurfaced. Drums were re-recorded, vocals and mixing completed, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal
  • Switzerland's IMPURE WILHELMINA has forged a singular path between metal and progressive dark rock, marked by density, melody, and emotional restraint. After three decades of evolution and renewal, the quartet now enters a new chapter with 'Le Sanglot', their most radical, yet organic, transformation to date.
  • On ‘The Dark Overlords of the Universe’, Finnish newcomers THE GHOULSTARS mix Mötley Crüe’s pomp and the can’t-do attitude of Twisted while nodding to The Misfits and White Zombie. Their debut album is a monstrously catchy mash-up between metal, punk and B-horror.
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