• Originally released in 2019, 'Champ Du Sang' is the powerful and transcendental first album by post black metallers VOUS AUTRES.

Always summoning the darkest and most sublime melody through its rooted despair, the duo battles with its own demons alongside powerful riffs and breakdowns that resonate with the tramp of the marching feet of a thousand-men army, ready to engage in a one-way fight against their enemy.
  • Theodor Bastard
  • The Tritonus Bell
  • 'Savigaila', which translates as
  • ith a clear goal of reaching the apex of technical metal in terms of proficiency, arrangements and sound, OPHIDIAN I has produced destructive full-length album ‘Desolate’.
Emerging from Iceland - the barren island in the north, home to apocalyptic weather, eruptions and storms - the breeding intensity, blazing speed and ferocity of OPHIDIAN I reflect the chaos it hails from as well as its inherent beauty and complex harmony.
  • With an impressive body of work fanned out over the course of 18 years and five albums which have weathered as many trends, WITHERED continues to confound and refuses to compromise. New album 'Verloren' is the Atlanta quartet's most daring and iconoclastic work yet, one that spits in the eye of complacency and exists as a contrarian masterstroke.

'Verloren' translates to
  • THY CATAFALQUE’s humble genius Tamás Kátai abandons any and all prenotions of tradition. Intertwining elements from a vast swath of unrelated genres, from jazz to pop to folk, and everything in between, THY CATAFALQUE masterfully crafts an eclectic sound that breaks down any generic barriers or borders. Following the massive success of 2020’s critically-acclaimed ‘Naiv,’ the entity returns with ‘Vadak,’ another esoteric monument in its already storied catalog.
  • Characterized by aggressiveness, dissonance and a strong sense of atmosphere, KHANDRA’s debut full-length assault seamlessly fits in with the wave of black metal fronted by MGŁA and BLAZE OF PERDITION.
  • ‘La Morsure du Christ’ is the phosphoric sequel to Seth's acclaimed 1998 debut ‘Les blessures de l'âme.'

A grand recrudescence composed in alexandrine metre, these progenitors of French black metal celebrate the conflagration and demise of Notre Dame de Paris as the end of the Christian reign and the ultimate betrayal of God, with the grandeur of orthodox black metal.

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