• THE OLD DEAD TREE stands tall amidst the ruins of fleeting trends and hollow promises. Forged in the fires of pain and perseverance, their long awaited fourth album, ‘Second Thoughts’, dives deep into the brooding abyss of human experience. Each track captures the raw pain of existence and the bittersweet taste of fleeting joy.
  • With this double album release ‘The Wolf Changes Its Fur But Not Its Nature’ + ‘Horrific Honorifics Number Two(2)’, CRIPPLED BLACK PHOENIX commemorate two decades of defiance and introspection. ‘The Wolf Changes Its Fur But Not Its Nature’ revisits the echoes of their past, reworking and re-recording classics that have been sculpted by time and transformation. On ‘Horrific Honorifics Number Two(2)’, CRIPPLED BLACK PHOENIX once again lay bare the soul of the music that carved their path, paying homage to the titans who stoked their spirit.
  • Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one. Whereas his previous album returned to the heavier days of THY CATAFALQUE, XII: A gyönyöru álmok ezután jönnek’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul whisked away by dreamy-yet-haunting songs and melodies.
  • The underground has always lost their minds over Defeated Sanity for the better part of three decades. The band are revered for infusing old-school death metal with jazzy chaos and the technical precision of a classical composer. But when these four maniacs were thinking about their seventh album, the idea was to go easy on the brainteasers and get back to snapping necks!
  • With ‘Coma’, Gaerea are no longer strictly black metal. Though once again produced by trusted confidant Miguel Tereso, their fourth album broadens their signature sound by taking it in two seemingly opposed directions. There are more moments of intense beauty, but they only heighten the ensuing blows. 'Coma' puts Gaerea at the top of extreme metal.
  • FUNERAL, hailing from the icy landscapes of Norway, stands solemn as stalwart guardians of the funeral doom metal genre. With roots intertwining the sorrow of a wake and the heaviness of bowed boughs bearing winter's weight, their music is a vessel of mourning and memory.
In the heartrending depths of ‘Gospel of Bones’, we bear witness to a journey of grief, a map drawn in melancholic melodies and the relentless dirge of funeral drums. Each song is a requiem, a story etched into the annals of the night, with Anders Eek’s dismal symphonies leading the procession through tracks like the desolate beauty of “My Own Grave” and the harrowing “Procession of Misery”. From the cold, lingering notes of “Too Young to Die”, to the sorrowful elegy “Yestertear”, this album is FUNERAL's sovereign claim to the throne of despair.
  • Hailing from the frozen landscapes of Norway, 1349 have etched their mark upon the black metal pantheon, wielding their instruments like war-axes in the vanguard of the genre's relentless assault. With a legacy drenched in the blood of aural extremities, they have become the standard-bearers of unyielding sonic warfare, relentless in their pursuit of the darker arts. With ‘The Wolf & The King’, 1349 continues to stretch the boundaries of the genre, infusing their relentless blast beats and searing guitars with an atmosphere of apocalyptic elegance.
  • Plunge into the boundless universe of WORMED, the ensemble hailing from the deep space of Sci-Fi Tech Death Metal. ‘Omegon’ emerges as WORMED's latest masterpiece, a sonic voyage set against the backdrop of an ancient cosmic conflict where civilizations vie for the omnipotence of a substance beyond the mortal coil. ‘Omegon’ is an auditory spectacle, weaving together the fabric of reality through layers of technical riffs, unearthly vocals, and narratives steeped in cosmic lore.

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