• Born from ritual, trance, and joyful defiance, EIHWAR stand apart in the modern pagan scene. The duo fuse Nordic folk, electro-industrial pulse, and raw percussive power into something fiercely alive. Anchored in Norse inspiration yet free from dogma, sophomore album ‘Hugrheim’ feels both ancient and strikingly present. It is a concept album, a soundtrack for transformation, and a celebration of spirit made sound.
  • BIZARREKULT's third album ‘Alt Som Finnes’ maintains the classic energy of old school black metal. With its crazed riffs and blistering howls, there’s no escape from the feverish intensity of the music. But while BIZARREKULT remains rooted in Norwegian black metal, the album strips away all of our defenses while adding more post-metal ambience.
  • Ever since they emerged from Greece’s underground catacombs, UNVERKALT have been drawing closer to the edge. The post-metal band’s third album doesn’t continue that shift so much as it plunges into the darkness that’s always waited below. While wrestling with all the weight of our accursed history, ‘Héréditaire’ now stands as their heaviest and most heartfelt offering.
  • The re-recorded version of Greek heroes ROTTING CHRIST's milestone album 'Aealo' brings renewed fire and clarity to one of the most ambitious works in their catalogue. Completely revitalised with modern production and a far stronger mix, ‘Aealo’ emerges more cinematic than ever: female lamentation choirs, martial percussion, folkloric melodies, and commanding riff-work collide in a sweeping vision of war, tragedy, and pagan spirituality.
  • PONTE DEL DIAVOLO emerged from the underground of Turin in 2020. ‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence. Dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
  • HÉR emerge from the northern shores of Poland, where five musicians converge between ritual and instinct. Their art fuses Slavic melody and Scandinavian atmosphere into a single elemental voice, echoing Norse poetry and ancient communion.
‘Monochrome’ is a meditation on presence: seven movements exploring the thresholds between stillness and force, light and shadow. Recorded at Monochrom Studio and shaped by producer Ignacy Gruszecki, the album channels the raw pulse of throat singing, the tension of bowed strings, and the weight of silence. From the hypnotic call of “Chant” to the burning ritual of “Praise the Day”, each piece unfolds like a journey through frost and fire: witness patience, strength, and reverence for all that endures.
  • ROTTEN SOUND know how to get a point across. For more than three decades, the Finnish grindcore veterans have raised the alarm about our cursed existence. Even though they outran the coming apocalypse on their previous album, the band are far from stopping to catch their breath. Like an atomic bomb, ‘Mass Extinction’ explodes from your speakers!
  • With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can. Recorded live in the Netherlands, Bach Out of Bounds brings the revered composer in conversation with the maestros of progressive death metal. Alkaloid present three faithful renditions of Bach classics alongside an award-winning ensemble, who grace sacred aria “Agnus Dei” with heavenly vocals and strings.
  • ‘35 Years of Evil Existence’ is a live album that captures the essence of ROTTING CHRIST. Nearly two hours of fierce and unyielding devotion, a musical pilgrimage through their storied career—from the raw, primal anthems of their early days to the symphonic and gothic grandiosity of their most recent creations. This extraordinary performance, captured in the grandeur of their homeland's Lycabettus Theatre, is a monumental homage to their relentless journey over the years.
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