This album continues to defy genre expectations by interweaving the atmospheric black metal and post black metal with an innovative palette of electronic textures and some lo-fi transitions. While elements reminiscent of past releases can be discerned, most notably chiptune and synthpop inflections introduced on past records such as “intablej' u ana”, this record forges its own distinct identity, infusing fleeting hints of drum ‘n bass and techno.
Rather than relying on recycled motifs, Alice constructs “qunaiqû nèjautsè” as a dynamic journey through contrasting soundscapes, unfolding with a meticulous pacing, shifting effortlessly between brooding, heavy atmospheres and lighter, shimmering electronic interludes. These transitions invite listeners to traverse a layered sonic narrative, that is not only introspective but also explosively kinetic without ever feeling stagnant.
A key strength of this record lies in its artful integration of diverse musical elements, where the electronic textures are not mere embellishments, they are embedded deeply within the sonic framework, creating an intricate interplay between electronic sharpness and the visceral weight of black metal.
Alice’s ability to navigate these varied influences speaks volumes about her technical prowess and creative vision. In “qunaiqû nèjautsè”, every atmospheric shift and rhythmic pulse contributes to an overarching narrative that is strikingly original, remaining unbounded by genre constraints, a continual reinvention that consistently offers something new while honouring its blackened roots."
Mao da Gloria
