• THE GREAT OLD ONES stand as harbingers of cosmic nightmares and arcane melodies. Forged in the ancient mists of Bordeaux, France, their evocative soundscapes transcend mere music, invoking the eldritch horrors of H.P. Lovecraft’s mythos. With compositions both violent and breathtakingly beautiful, ‘Kadath’ captures the essential juxtaposition of terror and wonder.
  • After three decades of ungentle supremacy CRYPTOPSY still make blasphemy sound fresh, but many underground metalheads trace the JUNO Award winners’ resurgence to the two EPs they released during the mid-2010s. While split between two EPs, ‘The Book of Suffering’ was always meant as a companion piece. Now that both EPs are available again and for the first time on one combined vinyl, fans can finally suffer in peace.
  • With this double album release ‘The Wolf Changes Its Fur But Not Its Nature’ + ‘Horrific Honorifics Number Two(2)’, CRIPPLED BLACK PHOENIX commemorate two decades of defiance and introspection. ‘The Wolf Changes Its Fur But Not Its Nature’ revisits the echoes of their past, reworking and re-recording classics that have been sculpted by time and transformation. On ‘Horrific Honorifics Number Two(2)’, CRIPPLED BLACK PHOENIX once again lay bare the soul of the music that carved their path, paying homage to the titans who stoked their spirit.
  • Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one. Whereas his previous album returned to the heavier days of THY CATAFALQUE, XII: A gyönyöru álmok ezután jönnek’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul whisked away by dreamy-yet-haunting songs and melodies.
  • The underground has always lost their minds over Defeated Sanity for the better part of three decades. The band are revered for infusing old-school death metal with jazzy chaos and the technical precision of a classical composer. But when these four maniacs were thinking about their seventh album, the idea was to go easy on the brainteasers and get back to snapping necks!
  • With ‘Coma’, Gaerea are no longer strictly black metal. Though once again produced by trusted confidant Miguel Tereso, their fourth album broadens their signature sound by taking it in two seemingly opposed directions. There are more moments of intense beauty, but they only heighten the ensuing blows. 'Coma' puts Gaerea at the top of extreme metal.
  • FUNERAL, hailing from the icy landscapes of Norway, stands solemn as stalwart guardians of the funeral doom metal genre. With roots intertwining the sorrow of a wake and the heaviness of bowed boughs bearing winter's weight, their music is a vessel of mourning and memory.
In the heartrending depths of ‘Gospel of Bones’, we bear witness to a journey of grief, a map drawn in melancholic melodies and the relentless dirge of funeral drums. Each song is a requiem, a story etched into the annals of the night, with Anders Eek’s dismal symphonies leading the procession through tracks like the desolate beauty of “My Own Grave” and the harrowing “Procession of Misery”. From the cold, lingering notes of “Too Young to Die”, to the sorrowful elegy “Yestertear”, this album is FUNERAL's sovereign claim to the throne of despair.

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