{"title":"Run For Cover @ct@if@label-24094@","description":null,"products":[{"product_id":"balance-and-composure-too-quick-to-forgive-lp","title":"Balance and Composure - Too Quick to Forgive - LP","description":"","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53029363155241,"sku":"P-57204-","price":21.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Balance-and-Composure-Too-Quick-to-Forgive-LP-57204-1-1706806966.jpg?v=1778052011"},{"product_id":"alex-g-dsu-lp","title":"Alex G - DSU - LP","description":"\u003cp\u003eYears after its initial release on boutique Brooklyn label Orchid Tapes, Alex G’s fourth LP DSU has been reissued on Run For Cover Records. Considered by many to be the record that shone a spotlight onto the longtime lo-fi Bandcamp-favorite, DSU is an indie rock record empowered \u0026amp; enlightened by Alex Giannascoli’s bedroom-pop sensibilities. An acronym for “Dream State University,” DSU’s thirteen songs consistently reinvent indie-pop in a way that truly makes the album dream-like, not only because of the serene calmness of tracks like “Skipper” \u0026amp; “Boy,” but also in the hauntingly jarring mid-album number “Axesteel” \u0026amp; the kinetic swelling \u0026amp; pitch-shifting “Icehead.\" What DSU offers as a whole is a collection of songs that endlessly bend existing indie-rock tropes with Alex G’s sincere strand of otherness, presenting an early but ambitious portrait of one of the next great songwriters of our time.\u003c\/p\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53029363548457,"sku":"P-57201-","price":19.56,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Alex-G-DSU-LP-57201-1-1706805813.jpg?v=1778052019"},{"product_id":"portrayal-of-guilt-christfucker-cd","title":"Portrayal of Guilt - Christfucker - CD","description":"\u003cp\u003eWe each have our own idea of what it means to live through a period filled with perpetual dread, a slowly burning world, and overwhelming darkness. In the case of Portrayal of Guilt, their tortuous afterlife comes with grief, loss, masochism, suffering, and pain.\u003c\/p\u003e\u003cp\u003eOn CHRISTFUCKER, their second full-length of 2021, Portrayal of Guilt plunges headfirst into unfathomable depths, creating a work of art that’s powerfully unsettling. “We think of it partially in the sense of scoring a horror movie,” guitarist\/vocalist Matt King says. “We wanted to create an atmosphere of anxiety and fear.”\u003c\/p\u003e\u003cp\u003eThe entirety of CHRISTFUCKER is set to unrelenting, nihilistic, howling soundscapes, created by King, drummer James Beveridge, and bassist, Alex Stanfield. Each track tells a story set in the darkest of settings for the listener to interpret and explore.\u003c\/p\u003e\u003cp\u003e*Beginning with the ominous “The Sixth Circle,” which features King shrieking over hypnotic guitar patterns and a thudding rhythm, the band eventually roars to life with a tyrannical blast, delving you further into its oppressive heaviness. On “Bed of Ash,” the band plumb new depths while exploring the mechanistic gnashings of industrial drum and bass. On “…where the suffering never ends,” churning, gruesome instrumentals provide the backdrop to a tale of brutal demise.\u003c\/p\u003e\u003cp\u003eRecorded at Strange Weather and Circular Ruin studios in Brooklyn with Ben Greenberg, CHRISTFUCKER features guest vocals from Jenna Rose of New York darkwave outfit Anatomy (on “Sadist”) and Touché Amoré vocalist Jeremy Bolm (on “Fall From Grace”). Started in 2017, Portrayal of Guilt have released two full-length albums, two EPs, four splits \u0026amp; a digital single. They’ve toured the world relentlessly since their inception, playing with bands such as Deafheaven, Pg.99, Touché Amoré, Soft Kill and many more...\u003c\/p\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53029368529193,"sku":"P-57247-","price":11.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Portrayal-of-Guilt-Christfucker-CD-57247-1-1706820991.jpg?v=1778052104"},{"product_id":"narrow-head-satisfaction-lp","title":"Narrow Head - Satisfaction - LP","description":"\u003cp\u003eSatisfaction changed everything for Narrow Head. As the group’s first full length recording, Satisfaction was an unofficial progression, a signal that the Texas-based outfit was coalescing around a vision for their band and their music.\u003c\/p\u003e\u003cp\u003eAlthough changes in the band’s lineup and in the individual lives of members were on the horizon, Satisfaction is a result of spontaneity and a willingness to experiment. At that time, Narrow Head was comprised of Jacob Duarte (guitar, vocals), Ryan Hughes (guitar, vocals), Ryan Seelig (bass), and Carson Wilcox (drums).\u003c\/p\u003e\u003cp\u003eEverything on Satisfaction was tracked over a three day period, and the group moved quickly through the writing, rehearsing, and recording process. “It’s pretty clear we were still figuring out the dynamics within the songs and what the exact right parts were, and I think that shows in how differently we play those songs live now,” Wilcox said.\u003c\/p\u003e\u003cp\u003eLooking back on the recording now, Duarte can see renewed significance in the material and its messaging. “We just wanted to make a record and tour. I was trying to figure out my life like any other 21-year-old, but I was always playing music. I was zoned in and very driven at the time, thinking there was nothing to lose. It's a very naive, optimistic recording,” he said.\u003c\/p\u003e\u003cp\u003eThere wasn’t a message of significance on Satisfaction. Rather, Wilcox saw it as a chance for the band to solidify its new lineup and develop a sound, saying, “We were just hanging out writing songs in a style that inspired us.”\u003c\/p\u003e\u003cp\u003ePointing to tracks like “Cool in Motion,” “Paranoid Hands,” and “See You Around” as personal favorites, those involved with the recording believe the record is at its best when the improvisation is apparent. And while much has changed within the last five years, Satisfaction remains an incredibly proud and significant moment in the lives of those who were involved with it.\u003c\/p\u003e\u003cp\u003eWith a planned reissue of the recording from Run for Cover due in November 2021, those moments of spontaneity and growth will see new life, reframed as a cornerstone of the band’s career as they look to the future.\u003c\/p\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53029369512233,"sku":"P-57236-","price":21.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Narrow-Head-Satisfaction-LP-57236-1-1706817009.jpg?v=1778052112"},{"product_id":"fiddlehead-between-the-richness-lp-colored","title":"Fiddlehead - Between the Richness - LP COLORED","description":"\u003cp\u003eFiddlehead wasn’t supposed to make a second record. But, if we’re being totally honest, they weren’t supposed to make their first record either. Formed in what singer Pat Flynn describes as “a deeply, deeply, laughably depressing part of my life,” Fiddlehead was born with modest intentions. Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex Henery entered the fold. Drummer Shawn Costa and bassist Adam Gonsalves—who has since been replaced by Casey Nealon—linked up with them and, all together, they wrote what would become the Out Of The Bloom EP. Those five songs established what Fiddlehead would be, a band that merged elements of post-hardcore, post-punk, and classic ‘80s emo into something that felt distinctly theirs.\u003c\/p\u003e\u003cp\u003eAfter the release of their debut album Springtime \u0026amp; Blind, the band did some weekend-long tours, and saw that their music was hitting people harder than they ever expected. “Kids were singing along in a very desperate way and we realized it wasn’t just resonating with us, it was resonating with these people in a really meaningful way,” says Flynn. Springtime \u0026amp; Blind was a hit for many reasons, but chief among them was Flynn’s open-hearted exploration of his father’s passing, which saw him use his lyrics as a means of relating to and understanding his mother’s grief. So when it came time for Fiddlehead to work on a second record, people weren’t just curious what the songs would sound like, they were curious what they’d even be about.\u003c\/p\u003e\u003cp\u003eBetween The Richness effectively picks up where Springtime \u0026amp; Blind left off, as Flynn dives headfirst into that same subject. But astute listeners will notice a major difference this time: Flynn is singing about himself. “These massive things happened in my life between the first record and this record. It just so happened that I ended up getting married, I had a child, and it was around the 10-year anniversary of my father’s passing. So what if I want to write another record about how I feel about the loss of my father? Will people be like, ‘Pick another topic, dude.’ So, the opening track is called ‘Grief Motif’ because it’s the idea that this is an eternal struggle that will never go away. Take it or leave it, but it will be part of this dude as long as he’s got a pen in the hand.”\u003c\/p\u003e\u003cp\u003eBetween The Richness explodes with an energy that usurps that of Springtime \u0026amp; Blind. The guitar riffs of Dow and Henery are their most anthemic and combustive yet, making songs like “The Years,” “Get My Mind Right,” and “Down University” not just serve as the backbone for Flynn’s personal ruminations, but empathetic, emotional musical stabs that hit the listener just as hard. Meanwhile, Costa and Nealon give the songs a propulsive heft, allowing a track like “Million Times” to dart into unexpected territories without ever feeling alien.\u003c\/p\u003e\u003cp\u003eBut at the center if it all is Flynn. He’s a different person than he was on Springtime \u0026amp; Blind, because he’s now a father himself. And that experience colors the journey he goes on throughout the album. “My son’s name is Richard and my father’s name is Richard, so it’s literally between the two of them. But it’s also the richness of life and the richness of death. It was important for me to capture that perfectly paradoxical feeling,” says Flynn. “We started writing this record two weeks after my son was born, and it’s a really great way for him when he’s older—and when I’m gone—to say, ‘My father wrote this in the first year of my life. What does that mean?’” It’s an attempt to put words to that strange place we all exist in, that place between the richness.\u003c\/p\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53029378687273,"sku":"P-57219-","price":21.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Fiddlehead-Between-the-Richness-LP-COLORED-57219-1-1706810788.jpg?v=1778052059"},{"product_id":"narrow-head-12th-house-rock-double-lp-gatefold-colored","title":"Narrow Head - 12th House Rock - DOUBLE LP GATEFOLD COLORED","description":"\u003cp\u003eNarrow Head’s highly anticipated new LP 12th House Rock arrives August 28th on Run For Cover Records. The Houston-based band’s latest entry is the distillation of the greatest moments in 90’s alternative and hard rock with a fresh set of ears, thirteen tracks of their signature brand of bludgeoning lullabies bursting at the seams with creative ideas, new directions and yes, massive, monolithic riffs. In between the sparkle and smash, open-hearted and emotionally naked songwriting showcases a core piece of the band’s identity– showcasing 12th House Rock as one of the best releases of 2020.\u003c\/p\u003e\u003cp\u003eDelving into deep-seated themes of self loathing, desolation, self-medication, the loss of loved ones and hopeful redemption,12th House Rock is, as the title suggests, a rock-focused LP themed on transition– exploring the vast abyss of darkness just before the sun cracks upon the horizon. Using distorted guitars as their primary vehicle, Narrow Head’s wall of riffs add stark contrast to their best quality– deceptively sweet pop melodies that channel the lessons of My Bloody Valentine, Cocteau Twins, Helmet, Deftones and Guided by Voices all at once.\u003c\/p\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53029384749353,"sku":"P-57234-","price":31.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Narrow-Head-12th-House-Rock-DOUBLE-LP-GATEFOLD-COLORED-57234-1-1706815763.jpg?v=1778052067"},{"product_id":"pelican-flickering-resonance-cd","title":"Pelican - Flickering Resonance - CD","description":"\u003cp\u003ePelican has always been a band that's not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican's foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. \"The '90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity,\" says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas' departure in 2022, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.\u003cbr\u003eWhile longtime Pelican fans will recognize the album as an update to the band's ethos-one that's been constantly evolving since their very first EP-their new partnership with Run For Cover Records emphasizes something that's always been implicit to the Pelican formula. These songs take as much inspiration from titanic '90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican's songwriters, so too did Quicksand, Christie Front Drive, and Hum. \"A lot of people didn't hear it at first,\" says Schroeder-Lebec. \"I was like, well, I guess the metal world is where we fit. But now, we're more willing to acknowledge all the suits we're wearing.\" On Flickering Resonance, Pelican doesn't attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican's thick sonic backbone remains intact, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like \"Evergreen\" and \"Indelible\" tease Pelican's doom-metal roots, but these songs feel equally, ebullient and truthful, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker, who recorded their first EP, Pelican begins this new chapter of their career with an album that's neither full reinvention nor back-to-roots revivalism. After so much time apart, and with so much life having been lived between the original Pelican lineup's last recording sessions together, the band approached it with renewed vigor and a more communal spirit. \"There was more room for openness and critique with the understanding that we're all trying to craft the best song possible and that every suggestion is valid until it's proven invalid,\" says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. \"We didn't move forward unless we all wanted to move forward, and that felt like real community building,\" says Schroeder-Lebec of this unified approach. \"I went from seeing it as my art and my craft to our craft that we were shaping together.\" In doing so, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like \"Cascading Crescent\" and \"Indelible\" don't languish in what's been lost, these tracks see the band embracing what remains in their hands instead of lamenting what's slipped through their fingers. It's a concept that's mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It's a piece built off the concept of flame meditation, and how the smallest flames can often bring about the biggest transformations. A song like \"Flickering Stillness\" exemplifies this feeling through it's sonic expanse, putting the band's sonic density and hyper-focused clarity on display, but with an emphasis on the profound human connections that have kept Pelican going all these years.\u003c\/p\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53030931038505,"sku":"P-63196-","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Pelican-Flickering-Resonance-CD-63196-1-1745508429.jpg?v=1778066608"},{"product_id":"pelican-flickering-resonance-double-lp-gatefold-colored","title":"Pelican - Flickering Resonance - DOUBLE LP GATEFOLD COLORED","description":"\u003cp\u003ePelican has always been a band that's not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican's foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. \"The '90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity,\" says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas' departure in 2022, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.\u003cbr\u003eWhile longtime Pelican fans will recognize the album as an update to the band's ethos-one that's been constantly evolving since their very first EP-their new partnership with Run For Cover Records emphasizes something that's always been implicit to the Pelican formula. These songs take as much inspiration from titanic '90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican's songwriters, so too did Quicksand, Christie Front Drive, and Hum. \"A lot of people didn't hear it at first,\" says Schroeder-Lebec. \"I was like, well, I guess the metal world is where we fit. But now, we're more willing to acknowledge all the suits we're wearing.\" On Flickering Resonance, Pelican doesn't attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican's thick sonic backbone remains intact, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like \"Evergreen\" and \"Indelible\" tease Pelican's doom-metal roots, but these songs feel equally, ebullient and truthful, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker, who recorded their first EP, Pelican begins this new chapter of their career with an album that's neither full reinvention nor back-to-roots revivalism. After so much time apart, and with so much life having been lived between the original Pelican lineup's last recording sessions together, the band approached it with renewed vigor and a more communal spirit. \"There was more room for openness and critique with the understanding that we're all trying to craft the best song possible and that every suggestion is valid until it's proven invalid,\" says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. \"We didn't move forward unless we all wanted to move forward, and that felt like real community building,\" says Schroeder-Lebec of this unified approach. \"I went from seeing it as my art and my craft to our craft that we were shaping together.\" In doing so, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like \"Cascading Crescent\" and \"Indelible\" don't languish in what's been lost, these tracks see the band embracing what remains in their hands instead of lamenting what's slipped through their fingers. It's a concept that's mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It's a piece built off the concept of flame meditation, and how the smallest flames can often bring about the biggest transformations. A song like \"Flickering Stillness\" exemplifies this feeling through it's sonic expanse, putting the band's sonic density and hyper-focused clarity on display, but with an emphasis on the profound human connections that have kept Pelican going all these years.\u003c\/p\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53030931497257,"sku":"P-63195-","price":33.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Pelican-Flickering-Resonance-DOUBLE-LP-GATEFOLD-COLORED-63195-1-1745508429.jpg?v=1778066599"},{"product_id":"rival-schools-pedals-double-lp-gatefold-colored","title":"Rival Schools - Pedals - DOUBLE LP GATEFOLD COLORED","description":"","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53030975799593,"sku":"P-63345-","price":33.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Rival-Schools-Pedals-DOUBLE-LP-GATEFOLD-COLORED-63345-1-1746217798.jpg?v=1778066993"},{"product_id":"rival-schools-found-lp-colored","title":"Rival Schools - Found - LP COLORED","description":"","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53030976848169,"sku":"P-63344-","price":21.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Rival-Schools-Found-LP-COLORED-63344-1-1746217678.jpg?v=1778067001"},{"product_id":"cursive-devourer-double-lp-gatefold-colored","title":"Cursive - Devourer - DOUBLE LP GATEFOLD COLORED","description":"\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713610190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cursive.bandcamp.com\/album\/devourer\"\u003eDevourer by Cursive\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53030977110313,"sku":"P-63343-","price":33.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Cursive-Devourer-DOUBLE-LP-GATEFOLD-COLORED-63343-1-1746215102.jpg?v=1778067010"},{"product_id":"cursive-devourer-cd-digipak","title":"Cursive - Devourer - CD DIGIPAK","description":"\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713610190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cursive.bandcamp.com\/album\/devourer\"\u003eDevourer by Cursive\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53030977372457,"sku":"P-63342-","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Cursive-Devourer-CD-DIGIPAK-63342-1-1746215102.jpg?v=1778066976"},{"product_id":"cursive-devourer-double-lp-gatefold","title":"Cursive - Devourer - DOUBLE LP Gatefold","description":"\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713610190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cursive.bandcamp.com\/album\/devourer\"\u003eDevourer by Cursive\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Season of Mist - North America","offers":[{"title":"Default Title","offer_id":53031011123497,"sku":"P-63341-","price":33.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/9219\/5113\/files\/Cursive-Devourer-DOUBLE-LP-Gatefold-63341-1-1746215102.jpg?v=1778066968"}],"url":"https:\/\/shopusa.season-of-mist.com\/collections\/label-run-for-cover.oembed","provider":"Season of Mist - North America","version":"1.0","type":"link"}